bell notificationshomepageloginedit profileclubsdmBox

Practice and improve writing style. Write like Hg Wells

Improve your writing style by practicing using this free tool

Practice and improve your writing style below

Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!

Practice writing like:

Type these lines in the boxes below to practice and improve your writing style.

I did not reply. I bowed forward, and covered my face with my hands. Presently he returned with a small measure containing a dark liquid. This he gave me. I took it unresistingly, and he helped me into the hammock.

 

“They say there is no Master now. But I know, I know. I carried the bodies into the sea, O Walker in the Sea! the bodies of those you slew. I am your slave, Master.”

 

For a time I hurried on hopelessly perplexed, and pursued by that stealthy approach. Whatever it was, the Thing either lacked the courage to attack me, or it was waiting to take me at some disadvantage. I kept studiously to the open. At times I would turn and listen; and presently I had half persuaded myself that my pursuer had abandoned the chase, or was a mere creation of my disordered imagination. Then I heard the sound of the sea. I quickened my footsteps almost into a run, and immediately there was a stumble in my rear.

 

He put out a strangely distorted talon and gripped my fingers. The thing was almost like the hoof of a deer produced into claws. I could have yelled with surprise and pain. His face came forward and peered at my nails, came forward into the light of the opening of the hut and I saw with a quivering disgust that it was like the face of neither man nor beast, but a mere shock of grey hair, with three shadowy over-archings to mark the eyes and mouth.

 

“It is a man,” the voice repeated. “He comes to live with us?”

 

“It is a law of nature we overlook, that intellectual versatility is the compensation for change, danger, and trouble. An animal perfectly in harmony with its environment is a perfect mechanism. Nature never appeals to intelligence until habit and instinct are useless. There is no intelligence where there is no change and no need of change. Only those animals partake of intelligence that have to meet a huge variety of needs and dangers.

 

“I might have consoled myself by imagining the little people had put the mechanism in some shelter for me, had I not felt assured of their physical and intellectual inadequacy. That is what dismayed me: the sense of some hitherto unsuspected power, through whose intervention my invention had vanished. Yet, for one thing I felt assured: unless some other age had produced its exact duplicate, the machine could not have moved in time. The attachment of the levers—I will show you the method later—prevented anyone from tampering with it in that way when they were removed. It had moved, and was hid, only in space. But then, where could it be?

 

“I think so,” murmured the Provincial Mayor; and, knitting his brows, he lapsed into an introspective state, his lips moving as one who repeats mystic words. “Yes, I think I see it now,” he said after some time, brightening in a quite transitory manner.

 

“I don’t know if you have ever thought what a rare thing flame must be in the absence of man and in a temperate climate. The sun’s heat is rarely strong enough to burn, even when it is focused by dewdrops, as is sometimes the case in more tropical districts. Lightning may blast and blacken, but it rarely gives rise to widespread fire. Decaying vegetation may occasionally smoulder with the heat of its fermentation, but this rarely results in flame. In this decadence, too, the art of fire-making had been forgotten on the earth. The red tongues that went licking up my heap of wood were an altogether new and strange thing to Weena.

 

“I cannot convey the sense of abominable desolation that hung over the world. The red eastern sky, the northward blackness, the salt Dead Sea, the stony beach crawling with these foul, slow-stirring monsters, the uniform poisonous-looking green of the lichenous plants, the thin air that hurts one’s lungs: all contributed to an appalling effect. I moved on a hundred years, and there was the same red sun—a little larger, a little duller—the same dying sea, the same chill air, and the same crowd of earthy crustacea creeping in and out among the green weed and the red rocks. And in the westward sky, I saw a curved pale line like a vast new moon.

 

“It’s not the drink,” said the Voice. “You keep your nerves steady.”

 

He lit the dining-room lamp, got out a cigar, and began pacing the room, ejaculating. Now and then he would argue with himself.

 

Suddenly an old woman, peering under the arm of the big navvy, screamed sharply. “Looky there!” she said, and thrust out a wrinkled finger.

 

He rarely went abroad by daylight, but at twilight he would go out muffled up invisibly, whether the weather were cold or not, and he chose the loneliest paths and those most overshadowed by trees and banks. His goggling spectacles and ghastly bandaged face under the penthouse of his hat, came with a disagreeable suddenness out of the darkness upon one or two home-going labourers, and Teddy Henfrey, tumbling out of the “Scarlet Coat” one night, at half-past nine, was scared shamefully by the stranger’s skull-like head (he was walking hat in hand) lit by the sudden light of the opened inn door. Such children as saw him at nightfall dreamt of bogies, and it seemed doubtful whether he disliked boys more than they disliked him, or the reverse; but there was certainly a vivid enough dislike on either side.

 

In another second there was a simultaneous rush upon the struggle, and a stranger coming into the road suddenly might have thought an exceptionally savage game of Rugby football was in progress. And there was no shouting after Kemp’s cry—only a sound of blows and feet and heavy breathing.

 

Trending!

 

Back to top