Practice and improve writing style. Write like Hg Wells
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
As I took hold of the handle of the door I heard an exclamation, oddly truncated at the end, and a click and a thud. A gust of air whirled round me as I opened the door, and from within came the sound of broken glass falling on the floor. The Time Traveller was not there. I seemed to see a ghostly, indistinct figure sitting in a whirling mass of black and brass for a moment—a figure so transparent that the bench behind with its sheets of drawings was absolutely distinct; but this phantasm vanished as I rubbed my eyes. The Time Machine had gone. Save for a subsiding stir of dust, the further end of the laboratory was empty. A pane of the skylight had, apparently, just been blown in.
“When I reached the lawn my worst fears were realised. Not a trace of the thing was to be seen. I felt faint and cold when I faced the empty space among the black tangle of bushes. I ran round it furiously, as if the thing might be hidden in a corner, and then stopped abruptly, with my hands clutching my hair. Above me towered the sphinx, upon the bronze pedestal, white, shining, leprous, in the light of the rising moon. It seemed to smile in mockery of my dismay.
The Time Traveller came to the place reserved for him without a word. He smiled quietly, in his old way. “Where’s my mutton?” he said. “What a treat it is to stick a fork into meat again!”
“I’d give a shilling a line for a verbatim note,” said the Editor. The Time Traveller pushed his glass towards the Silent Man and rang it with his fingernail; at which the Silent Man, who had been staring at his face, started convulsively, and poured him wine. The rest of the dinner was uncomfortable. For my own part, sudden questions kept on rising to my lips, and I dare say it was the same with the others. The Journalist tried to relieve the tension by telling anecdotes of Hettie Potter. The Time Traveller devoted his attention to his dinner, and displayed the appetite of a tramp. The Medical Man smoked a cigarette, and watched the Time Traveller through his eyelashes. The Silent Man seemed even more clumsy than usual, and drank champagne with regularity and determination out of sheer nervousness. At last the Time Traveller pushed his plate away, and looked round us. “I suppose I must apologise,” he said. “I was simply starving. I’ve had a most amazing time.” He reached out his hand for a cigar, and cut the end. “But come into the smoking-room. It’s too long a story to tell over greasy plates.” And ringing the bell in passing, he led the way into the adjoining room.
“I do not know how long I lay. I was arroused by a soft hand touching my face. Starting up in the darkness I snatched at my matches and, hastily striking one, I saw three stooping white creatures similar to the one I had seen above ground in the ruin, hastily retreating before the light. Living, as they did, in what appeared to me impenetrable darkness, their eyes were abnormally large and sensitive, just as are the pupils of the abysmal fishes, and they reflected the light in the same way. I have no doubt they could see me in that rayless obscurity, and they did not seem to have any fear of me apart from the light. But, so soon as I struck a match in order to see them, they fled incontinently, vanishing into dark gutters and tunnels, from which their eyes glared at me in the strangest fashion.
With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet.
But this is pure hypothesis. The only undeniable facts—for stories of children are often unreliable—are the discovery of Wicksteed’s body, done to death, and of the blood-stained iron rod flung among the nettles. The abandonment of the rod by Griffin, suggests that in the emotional excitement of the affair, the purpose for which he took it—if he had a purpose—was abandoned. He was certainly an intensely egotistical and unfeeling man, but the sight of his victim, his first victim, bloody and pitiful at his feet, may have released some long pent fountain of remorse which for a time may have flooded whatever scheme of action he had contrived.
“Ah!” said Mr. Marvel. “Sort of ghostly, though.”
“Have you fastened it?” asked the first cabman.
He walked to the head of the staircase, turned, and stared at the locked doors. “It’s fact,” he said. He put his fingers to his slightly bruised neck. “Undeniable fact!
I stood overcome by this amazing realisation and then the most horrible questionings came rushing into my mind. They began leaping in the air, first one and then the other, whooping and grunting. Then one slipped, and for a moment was on all-fours,—to recover, indeed, forthwith. But that transitory gleam of the true animalism of these monsters was enough.
He came down with a twisting jump, and stood facing me.
“You can’t have me!” said I, aghast. He had the squarest and most resolute face I ever set eyes upon.
“Go up to the trees, then,” said I, “as you please.”
The little pink sloth-creature was still blinking at me when my Ape-man reappeared at the aperture of the nearest of these dens, and beckoned me in. As he did so a slouching monster wriggled out of one of the places, further up this strange street, and stood up in featureless silhouette against the bright green beyond, staring at me. I hesitated, having half a mind to bolt the way I had come; and then, determined to go through with the adventure, I gripped my nailed stick about the middle and crawled into the little evil-smelling lean-to after my conductor.