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Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
I rushed upstairs, and in few brief words acquainted Poirot with the situation. He took any further words out of my mouth.
“I engaged her about three weeks ago, when Mrs. Emery, our former housekeeper, left. She came to me from Mrs. Selboume’s Agency in Mount St.—a very well-known place. I get all my servants from there. They sent several women to see me, but this Mrs. Middleton seemed much the nicest, and had splendid references. I engaged her on the spot, and notified the Agency of the fact. I can’t believe that there was anything wrong with her. She was such a nice, quiet woman.”
“Oh, no, that was not her part. Her part was what you have just mentioned, to provide an alibi for Mrs. Havering at the moment the shot was fired. And no one will ever find her, mon ami, because she does not exist! ‘There’s no sech person,’ as your so great Shakespeare says.”
“I’m afraid that’s impossible,” I replied. “Poirot is ill in bed—influenza.”
“And yet it is true. Bien sûr, my friend, it is true! But to bring that precious pair to justice, that is another matter. Well, Japp must do what he can—I have written him fully; but I very much fear, Hastings, that we shall be obliged to leave them to Fate—or le bon Dieu—whichever you prefer.”
“You must not do that on any account. It might arouse suspicion if you did not stay out till the usual time. Be back by nine-thirty. I will arrive at ten. Mr. Hersheimmer will wait below in a taxi perhaps.”
“Damn!” said Tommy, and tried to sit up. He had remembered. He was in that sinister house in Soho. He uttered a groan and fell back. Through his almost-closed lids he reconnoitred carefully.
“That is settled, then,” said the sibilant tones. “Now, in the matter of the loan to an English newspaper, you have arranged the details satisfactorily, Boris?”
“Well, I’m damned!” he said. “What a dirty trick!”
“And now tell me,” said Tommy, unable to restrain his pent-up curiosity any longer, as they sat in state surrounded by the many hors d’œuvre of Tuppence’s dreams.
“I’ve got my work ready to hand. Don’t ask what it is. You can guess, I dare say. But I’ll tell you this—I’ll clear my name, or die in the attempt, and I’ll choke the life out of the damned scoundrel who did his best to murder you the other night.”
“The note you sent me, asking me to meet you in the clearing.”
“Doubtless, now that he has—retired, he will marry. Some young society beauty, who will disperse his millions faster than he acquired them.”
I think he was right about that. Although I knew well enough the kind of man he was and must be, I could not bring myself to realize it. He had tried to kill me on more than one occasion, he had actually killed another woman, and he was responsible for endless other deeds of which I knew nothing, and yet I was quite unable to bring myself into the frame of mind for appreciating his deeds as they deserved. I could not think of him as other than our amusing, genial travelling companion. I could not even feel frightened of him—and yet I knew he was capable of having me murdered in cold blood if it struck him as necessary. The only parallel I can think of is the case of Stevenson’s Long John Silver. He must have been much the same kind of man.
To my surprise and pleasure I found a note awaiting me. It was from the curator of the Museum. He had read of my arrival on the Kilmorden, in which I was described as the daughter of the late Professor Beddingfeld. He had known my father slightly and had had a great admiration for him. He went on to say that his wife would be delighted if I would come out and have tea with them that afternoon at their Villa at Muizenberg. He gave me instructions for getting there.