Practice and improve writing style.
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Don’t. If the straw makes trouble put it down in the bill.” And he mumbled at her—words suspiciously like curses.
“That I wonder where you found it,” said Mrs. Hall. “And before I take any bills or get any breakfasts, or do any such things whatsoever, you got to tell me one or two things I don’t understand, and what nobody don’t understand, and what everybody is very anxious to understand. I want to know what you been doing t’my chair upstairs, and I want to know how ’tis your room was empty, and how you got in again. Them as stops in this house comes in by the doors—that’s the rule of the house, and that you didn’t do, and what I want to know is how you did come in. And I want to know—”
He became silent and went to the window and stared out.
“Ain’t it?” said Mr. Thomas Marvel. “Lord! But them boots! It beats it.”
“—then stopped. ‘Here,’ I said, ‘is an outcast like myself. This is the man for me.’ So I turned back and came to you—you. And—”
He took up his pipe, and began, in his old accustomed manner, to tap with it nervously upon the bars of the grate. There was a momentary stillness. Then chairs began to creak and shoes to scrape upon the carpet. I took my eyes off the Time Traveller’s face, and looked round at his audience. They were in the dark, and little spots of colour swam before them. The Medical Man seemed absorbed in the contemplation of our host. The Editor was looking hard at the end of his cigar—the sixth. The Journalist fumbled for his watch. The others, as far as I remember, were motionless.
“I saw the heads of two orange-clad people coming through the bushes and under some blossom-covered apple-trees towards me. I turned smiling to them, and beckoned them to me. They came, and then, pointing to the bronze pedestal, I tried to intimate my wish to open it. But at my first gesture towards this they behaved very oddly. I don’t know how to convey their expression to you. Suppose you were to use a grossly improper gesture to a delicate-minded woman—it is how she would look. They went off as if they had received the last possible insult. I tried a sweet-looking little chap in white next, with exactly the same result. Somehow, his manner made me feel ashamed of myself. But, as you know, I wanted the Time Machine, and I tried him once more. As he turned off, like the others, my temper got the better of me. In three strides I was after him, had him by the loose part of his robe round the neck, and began dragging him towards the sphinx. Then I saw the horror and repugnance of his face, and all of a sudden I let him go.
The Time Traveller smiled round at us. Then, still smiling faintly, and with his hands deep in his trousers pockets, he walked slowly out of the room, and we heard his slippers shuffling down the long passage to his laboratory.
“Within was a small apartment, and on a raised place in the corner of this was the Time Machine. I had the small levers in my pocket. So here, after all my elaborate preparations for the siege of the White Sphinx, was a meek surrender. I threw my iron bar away, almost sorry not to use it.
“Then, again, about the Time Machine: something, I knew not what, had taken it into the hollow pedestal of the White Sphinx. Why? For the life of me I could not imagine. Those waterless wells, too, those flickering pillars. I felt I lacked a clue. I felt—how shall I put it? Suppose you found an inscription, with sentences here and there in excellent plain English, and interpolated therewith, others made up of words, of letters even, absolutely unknown to you? Well, on the third day of my visit, that was how the world of Eight Hundred and Two Thousand Seven Hundred and One presented itself to me!
I could not bring myself to approach that black heap. I left it there, with the water rippling round it, under the still stars, and giving it a wide berth pursued my way towards the yellow glow of the house; and presently, with a positive effect of relief, came the pitiful moaning of the puma, the sound that had originally driven me out to explore this mysterious island. At that, though I was faint and horribly fatigued, I gathered together all my strength, and began running again towards the light. I thought I heard a voice calling me.
“Never mind that,” said Moreau; “at least, spare me those youthful horrors. Montgomery used to be just the same. You admit that it is the puma. Now be quiet, while I reel off my physiological lecture to you.”
My ape-like companion trotted along by my side, with his hands hanging down and his jaw thrust forward. I wondered what memory he might have in him. “How long have you been on this island?” said I.
After a day of alternate sleep and feeding I was so far recovered as to be able to get from my bunk to the scuttle, and see the green seas trying to keep pace with us. I judged the schooner was running before the wind. Montgomery—that was the name of the flaxen-haired man—came in again as I stood there, and I asked him for some clothes. He lent me some duck things of his own, for those I had worn in the boat had been thrown overboard. They were rather loose for me, for he was large and long in his limbs. He told me casually that the captain was three-parts drunk in his own cabin. As I assumed the clothes, I began asking him some questions about the destination of the ship. He said the ship was bound to Hawaii, but that it had to land him first.
“The House of Pain is gone,” said I. “It will come again. The Master you cannot see; yet even now he listens among you.”