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THE VOICE AND SPIRITUAL EDUCATION
THE VOICE AND SPIRITUAL EDUCATION
HIRAM CORSON, LL.D.
PROFESSOR OF ENGLISH LITERATURE IN THE CORNELL UNIVERSITY
New York
THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., LTD. 1914
Set up and electrotyped March, 1896. Reprinted February, 1897; July, 1901; February, 1903; August, 1904; March, 1908; October, 1914.
Norwood Press J. S. Cushing & Co.--Berwick & Smith Norwood Mass. U.S.A.
THE VOICE AND SPIRITUAL EDUCATION
Can reading be taught? is a question often asked, and partly for the reason, it may be, that so many readers who have gone through courses of vocal training in schools of elocution, or under private teachers, so frequently offend people of taste and culture by an extravagance of expression, by mimetic gesture, and by offensive mannerisms of various kinds. But a reasonable inference cannot be drawn from such readers that vocal training must necessarily do more harm than good.
Yes, much can be taught, and is taught, and well taught, it may be; the desideratum is the education, intellectual and spiritual, especially the latter, without which the mere teaching and training are vain and impotent.
The organs of speech can be brought by intelligent training into a complete obedience to the will and the feelings; and without this obedience of his vocal organs, a reader, whatever be his other qualifications, cannot do his best. He is in the position of a musical performer who has sympathetically assimilated the composition he is rendering, but whose instrument is badly out of tune. A reader may have the fullest possible appreciation of the subject matter, intellectual and spiritual, of a poem, and a susceptibility to all the subtlest elements of effect involved in its form; but if he have not full control of his vocal faculties, he can but imperfectly reveal through his voice, his appreciation and susceptibility. This control can be secured only by long and intelligent training. The voices, generally, of even the most cultivated people, have gone more or less astray, and need to be brought back from the error of their ways, before they can serve effectively to interpret a literary product.
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