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A DAY WITH SAMUEL TAYLOR COLERIDGE

BY MAY BYRON

LONDON HODDER & STOUGHTON

A DAY WITH COLERIDGE.

In a beautiful part of beautiful Somerset, where the "soft orchard and cottage scenery" is dimpled between blue hillslopes, where meadows and woods and translucent streams compete with each other in charm,--in the lovely region of the Quantock hills, lies the quiet little market-village of Nether Stowey. About sunrise on a May morning of 1790, a young man awoke in a little wayside cottage there: and, resolutely thrusting back his natural inclination to indolence, rose and dressed, and set himself to the performance of such humble duties as devolve upon a very poor householder with a wife and child.

Samuel Taylor Coleridge was in his twenty-sixth year: pale, stoutish, black-haired: not an immediately attractive man. His face, according to himself, bore evidence of "great sloth and great, indeed almost idiotic, good nature: ... a mere carcase of a face; fat, flabby, and expressive chiefly of inexpressions," with a wide, thick-lipped, always-open mouth, and small feeble nose. Yet it was capable of being roused, on occasion, to something akin to nobility and beauty, and redeemed by the animation of his full, grey eyes. It was a face, in short, to match his general appearance, which he dismissed as that of "indolence capable of energies," and Carlyle characterised as "weakness under possibility of strength."

Between-whiles he cast admiring glances of the most ardent delight at his garden of an acre and a half, and its glowing mass of apple-bloom,--and at all the luscious greeneries of the May world without. These glimpses into "opening Paradise" went far to compensate him for his determination to keep no servant, but to be maid-of-all-work, and nurse if need be, himself. They ministered to that spirit of contemplation which was the ruling spirit of his life: they were the very texture of dreams....

But to-day Charles Lloyd was looking ill-at-ease and sulky. He threw out hints about the general discomfort of things,--vague allusions to other people being made much of and himself contemned. He was in a disagreeable mood, and evidently dying to pick a quarrel. Half through breakfast, he took umbrage at some inoffensive jest, and flung himself out of the room.

"What can ail the lad?" asked Coleridge, in amazement.

"I suppose he has another fit coming on," observed the practical Sara.

"I don't like sour looks and bitter words in our peaceful home," said the poet, rumpling his heavy black locks with a distracted air.

"God forbid that he should take it into his head to go away," said Sara: and she got up with a very grave face and proceeded to clear the breakfast table. Coleridge betook himself to the garden and called over the back hedge to the neighbour for whose companionship he had taken this inefficient little cottage. Thomas Poole, his friend and benefactor, was a well-to-do tanner, well-educated and a devout student of literature: he discerned the potentialities of great things in Coleridge, and felt honoured by his acquaintanceship. For the poet had something of that peculiar fascination for more prosaic men, that magnetic charm of personality, which atones for so many minor defects,--which obviates weakness and ill-balance of mind,--which even endears him who is "impossible" from a worldly standpoint, to those of saner and robuster calibre. Coleridge could never be without a friend, without a listener: and a listener was a desideratum to him. This "noticeable man with large grey eyes" undoubtedly attracted to himself all that was best in other people: his culture allured them, his eloquence held them spell-bound, and his voice--that wonderful voice which was to Hazlitt "as a stream of rich distilled perfumes"--sank into every fibre of their being.

So you cannot be surprised that the faithful, kindly Thomas Poole, already busy in his tan-yard, hearing Coleridge calling at the hedge, instantly forsook his proper tasks and hurried to salute his comrade. When he heard of Charles Lloyd's tendency towards mutiny, "Oh," says Poole with a great laugh, "don't let that discompose you. The young man is consumed by a very common malady,--jealousy. And indeed I think he has some cause."

"Jealousy!" repeated Coleridge, rolling his fine eyes wildly. It was a word which had little or no meaning for him. "Jealousy of whom? about whom?--I do not understand you in the least."

"Why, your fine friends the Wordsworths, of course," Poole told him. "Here have you been gadding about with them the whole of this last twelve-month, trapesing the hills night and day and leaving your pupil, forsooth, to sit at home with Madam and Master Baby, a-twiddling his thumbs and scribbling schoolboy verse. You have taken precious little notice of him,--and as for your friends, they think him but a poor thing not worth mention. I say he is a lad of spirit to kick up his heels at last."

"True, true,--I may have neglected him to some extent," murmured Coleridge with a pained air, "but indeed, my good Poole, if you knew what the Wordsworths have been to me! Manna in the desert--water in the wilderness--happiness like the alighting of a paradise-bird--"

"Quite so, my dear fellow," interrupted the unemotional Poole, "but you are not now in the pulpit. Bring yourself down to earth for a moment, for I have but little time to spare this morning,--and let us see what are the most crying needs of to-day in your garden."

There is enough to do in a May garden to occupy the most diligent: and as Coleridge raked and hoed and thinned out and weeded his vegetable beds, with blistered hands and a back that longed for a hinge in it, he was inclined to wish that Lloyd had come as an agricultural rather than a poetical pupil. From time to time he rested on his tool and assimilated with rapt eye the innumerable surrounding touches of simple beauty. He was a man who, like Wordsworth, interested himself in every little trifle. The delicate details of sight and sound were very dear to him; they had enabled him to "become one with Nature" in an almost literal sense, as he observed, with a calm but intense enjoyment, such side-issues as:

The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light and hanging so high, On the topmost twig that looks up at the sky;

or--

The unripe flax, When through its half-transparent stalks, at eve, The level sunshine glitters with green light;

or--

The horn?d Moon, with one bright star Within the nether tip.

And, indeed, Coleridge was aware himself of the extraordinary power which was exercised upon him by external and visible things,--especially by the magic of scenery. He wrote:

I never find myself alone within the embracement of rocks and hills ... but my spirit careers, drives and eddies like a leaf in autumn; a wild activity of thoughts, imaginations, feelings and impulses of motion rises up within me.... The further I ascend from animated nature ... the greater in me becomes the intensity of the feeling of life. Life seems to me then a universal spirit, that neither has nor can have an opposite. God is everywhere, and where is there room for death?

And he determinedly developed in his theory of poetry, his sense of the depths that lie below nature's more superficial aspects. He had accorded to his sleeping babe, a few short months before, that tenderest of all benedictions, that gift of untarnishable joy:

Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon:

and he had conversed at great length and frequency with Wordsworth, on what he termed "the two cardinal points of poetry--the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature and the power of giving the interest of novelty by the modifying colours of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset diffused over a known and familiar landscape, appeared to represent the practicability of combining both. These are the poetry of nature." He had no greater pleasure possible than to steep himself in "the loveliness and the wonders of the world before us: an inexhaustible treasure," he proclaimed, "but for which, in consequence of the film of familiarity and selfish solitude, we have eyes, yet see not, ears that hear not and hearts that neither feel nor understand." And when his imagination craved some wilder and more romantic outlook than the peaceful village where,

beside one friend, Beneath the impervious covert of one oak, I've raised a lowly shed, and know the names Of Husband and of Father,--

that imagination could at will supply its wants. His eyes could "make pictures when they are shut," and could carry him momentarily, as on some magic carpet, to a dreamland beyond the limitations of mortal experience. The same exquisite and meticulous perception which enabled Coleridge to realize and remember the double sound of rain, the "quiet sounds from hidden rills," among the heather, the slanting shower of blossoms on the "faint gale of departing May,"--revealed to him how

Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean:

And 'mid this tumult Kubla heard from far Ancestral voices prophesying war!

Such, in fact, was the dual capacity of Coleridge's mind,--such its ability to commingle the actual and the imaginary, that whilst he could at one moment paint the gentle English landscape in which he dwelt,--

Low was our pretty Cot; our tallest Rose Peeped at the chamber-window. We could hear At silent noon, and eve, and early morn, The Sea's faint murmur. In the open air Our Myrtles blossom'd; and across the Porch Thick Jasmins twin'd: the little landscape round, Was green and woody, and refresh'd the eye. It was a spot which you might aptly call The Valley of Seclusion!

he was enabled to describe, with the verisimilitude of perfect memory, the dim sea-reaches where,--

... Now there came both mist and snow, And it grew wondrous cold: And ice, mast-high, came floating by, As green as emerald.

And through the drifts the snowy clifts Did send a dismal sheen: Nor shapes of men nor beasts we ken-- The ice was all between.

The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound!

At length did cross an Albatross,-- Through the fog it came; As if it had been a Christian soul, We hailed it in God's name.

It ate the food it ne'er had eat, And round and round it flew. The ice did split with a thunder-fit; The helmsman steered us through!

Never, believe me, Appear the Immortals, Never alone: Scarce had I welcomed the Sorrow-beguiler, Iacchus! but in came Boy Cupid the Smiler; Lo! Phoebus the Glorious descends from his Throne! They advance, they float in, the Olympians all! With Divinities fills my Terrestrial Hall!

How shall I yield you Due entertainment, Celestial Quire? Me rather, bright guests! with your wings of upbuoyance Bear aloft to your homes, to your banquets of joyance, That the roofs of Olympus may echo my lyre! Ha! we mount! on their pinions they waft up my soul! O give me the Nectar! O fill me the Bowl!

"Indeed, one might easily forget all mundane matters upon a day like this," mused the poet as he became rested and refreshed. "It is not a day for doing, Poole,--for digging and forking and stooping,--it was meant for dreaming, for endless reveries of eternal beauty."

"That is not likely ever to be my lot," said the matter-of-fact Poole, "Too much to see after."

"It might be mine, perhaps, did I choose...." observed Coleridge, with the abstracted air of one talking in his sleep, "Have I ever told you, Poole, of the offer I have had from the Wedgwood brothers?"

"The china-man's sons?" Poole queried.

"The same," said Coleridge. "They have offered me an annuity for life, of ?140 a year, to prevent my being obliged to abandon poetry and philosophy, as I must do if I take up preaching professionally."

"It is a vastly fine offer!" exclaimed the astonished Poole.

This long speech was not without effect upon the kind-hearted Poole. Pocketing certain twinges of what in Charles Lloyd he had defined as jealousy, he asked, "And what does your friend Mr. Wordsworth say? You are so constantly in his company, that I should suppose he would be a very fit judge of the best course for you to take."

"Oh, Wordsworth,--well, need you ask? Of course he urges me to accept the Wedgwoods' generosity, and devote myself to poetical work alone. But my mind misgives me, lest in doing that I should be turning my back upon the service of God. Am I not more efficacious for good as a preacher than as a versifier?"

"We-ell, I don't know," muttered Poole, "We can all read your poems, you see, but we can't all follow you about the west-country to listen to you,--we can't track you to chapels at Taunton, or Bridgewater, or Shrewsbury, however eloquent you may be. Not but what," he added with a sly twinkle, "you do a pretty fairish deal of preaching in private."

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